An epic retelling of an interesting chapter from Maratha history

Immediately after Farzand and Fatteshikast, Digpal Lanjekar’s very first two movies in the sequence of movies focused to the bravery of Chhatrapati Shivaji Maharaj and the Maratha military, the author-director returns with a bang in the 3rd movie of the collection – Pawankhind.

The movie, which was delayed owing to the pandemic, is based on a person of the most renowned incidents from Maratha historical past – the Battle of Pavan Khind. At the outset, the makers make it clear that this is not a full documentation of the battle, its prelude or aftermath, but a cinematic recreation intended to showcase the bravery of the Marathas included in this battle. So, there are cinematic liberties taken in this retelling, but the crux of the story is managed.

The tale about the Battle of Pavan Khind (earlier identified as Ghod Khind) and the bravery exhibited by Bajiprabhu Deshpande and the Bandal army of 600 in opposition to the Siddhi Masud and the troopers of the Adilshahi Sultanate is effectively recognised across Maharashtra. The result – Chhatrapati Shivaji Maharaj’s effective escape from Panhalgad to Vishalgad. But, does Lanjekar do well in recreating this important chapter from Marathi heritage on display? Unquestionably!

Pawankhind is a complete cinematic knowledge that is suit for the major display screen. The film is ambitious in striving to check out this story in two and a 50 percent hours, but it largely succeeds in producing the right construct up and atmosphere that potential customers to a fantastic climax. From laying out the cause and the characters associated in it, to the siege of Panhala by Siddhi Jauhar, the escape prepare and the real fight, Pawankhind lays out all its playing cards in entrance you chronologically, while inducing a dose of historical past, drama and even comedian reduction in among. The movie does not miss out on out on offering thanks credit to the the vast majority of the generals who aided Shivaji Maharaj realise his dream of Swarajya.

As for the actors, it’s not an easy activity to carry some of the most well –known names from the Marathi film and Television field collectively in a multi-starrer of this scale. But the casting section and makers pull off this feat. Chinmay Mandlekar as Shivaji Maharaj, Ajay Purkar as Bajiprabhu Deshpande, Sameer Dharmadhikari as Siddhi Jauhar, Aastad Kale as Siddhi Masud, Ankit Mohan as Rayaji Bandal, Mrinal Kulkarni as Maasaheb Jijau, Akshay Waghmare as Koyaji Bandal just about every actor has supplied his very best to their roles. Even the supporting solid has some memorable performances from Kshitee Jog as Badi Begum, Harish Dudhade as Bahirji Naik, Shivraj Waichal as Harpya, Rishi Saxena as Rustam Zaman. A different notable performance that stands out is that of Ajinkya Nanaware as Shiva Kashid, the guy who resembled Shivaji Maharaj and sacrificed himself for his king. The scenes involving Ajinkya and Chinmay are sure to deliver tears to your eyes.

When Pawankhind excels in storytelling, the complex features, however fantastic, could have been superior. The qualifications rating overpowers dialogues in some significant scenes, and the action choreography in some scenes fails to make the reduce. Even so, all mentioned and accomplished, the entire group has carried out its best to make this a big screen knowledge. Possibly with a even larger funds, these factors can be ironed out in the adhering to films of Lanjekar’s series.

For now, Pawankhind is a good look at, and at the cinemas only.